For those who have not seen it, or know about it, the MCA has a refurbishment plan in the pipeline.
The MCA cites the following planned additions to it’s new space. “There will be new facilities for the MCA’s renowned Bella program for young people with specific needs, as well as a digital classroom, multi media room, artists research library, resource room and lecture theatre/new media events space, which will allow the delivery of a greater range of educational programs to more Australians living in remote and regional areas.”
Art Month Sydney runs from 1–31 March 2010, uniting the various elements of the city’s art world under one umbrella for the first time. A diverse cross-section of art will be showcased with more than 70 of Sydney’s leading commercial galleries, artist-run initiatives, public art museums and auction houses hosting exhibitions, talks, behind-the-scenes tours and special events across the city. People of all ages and art inclinations are invited to engage with the work of artists as part of the first Art Month Sydney.
This years Armory show in New York has opened. “This year’s edition introduces Armory Focus, a new section that features an important art community every year. The new section is premiering with Berlin, presenting 21 galleries from Germany’s capital. In total, The Armory Show features 267 galleries from 31 countries”. Vernissage
At this years Scope Miami Contemporary Art Show Levy and Shaw present an extraordinary performance concept.
“Situated in an open and inviting space outside of the booth environment, the Sweat Shoppe’s interactive installation space hosts local bands, DJs and live performances each day of the SCOPE Miami Art Show – combining art, music and technology in an innovative and accessible way. The performance aspect of Levy and Blake’s Sweat Shoppe showcases the artists’ creation dubbed ‘video painting’. Video painting allows Levy and Blake to ‘paint’ video anywhere they choose – temporarily marking architectural surfaces with their video images”. Daily Serving
“The founder of NeuroFocus, the world’s biggest neuromarketing firm, is AK Pradeep, a PhD in engineering from the University of California, Berkeley. Five years ago, having moved from designing satellites to management consultancy, he found himself sitting next to a neuroscientist on a flight back from Atlanta: “I had just had a meeting with someone senior at Coke. He had been telling me that despite spending $3 billion on marketing and another $3 billion on indirect marketing, he was not sure what precisely he got out of it. This was still on my mind when I asked the neuroscientist what he did. He told me he helps children with attention deficit disorders, adults with emotional problems, and he works with the aged suffering from diseases such as Alzheimer’s. It struck me that this was exactly what the man at Coke was looking for. How do you get people to pay attention? How do you engage them emotionally, and how do you ensure they remember what is being said to them? Can’t I apply what he was doing in the clinic to what was happening?”
If this happened in Australia I’m sure that the cultural cringe surrounding the arts would all but disappear. Definitely a different approach to audience interaction. Is Linares the new Duchamp?
“The Solo Projects are an essential part of ARCO Madrid. The Solo Projects section aims to compliment the general program of the fair with one man show proposals presented by an international group of curators appointed by ARCO.
One of this year’s solo presentations is Michael D. Linares‘ installation Oasis (Inclusive Structure) at ATM Contemporary | Altamira. It’s a pyramid of cooling boxes with beer cans inside. In this video, Michael D. Linares gives us a short introduction to his installation.
The work has been proposed by the independent Spanish curator Juan de Nieves.Michael” Vernissage Art
Part 2 of an interview with David Eliot, artistic director of the 17th Sydney Biennale 2010.
In this the 2nd part of the interview, David Elliot talks about the rationale for the inclusion of Australian indigenous art and the art of first peoples globally. He discusses the relevance of Mertz and Beuys to the thematic and looks at the notions of ‘survival’ as it relates to the sub theme and discusses the inclusion of music in the Biennale.
Part 1 of an interview with David Elliot, director of the Sydney Biennale 2010.
This interview was conducted at at Artane Gallery Istanbul in September of this year.
David Elliot talks about his background, his rationale for the concept and title for the Sydney Biennale and it’s connection to the region and what is happening in contemporary art. He discusses the notion of ‘distance’ within the context of the concept for the Biennale. He also discuses the issue of notions of quality in art and his hopes for a shift in the dominant hegemony of Western Art.
“David Elliott is a cultural historian whose main interests concern contemporary art, Russian avant-garde and the visual cultures of central and eastern Europe, Asia and the non-western world from the late nineteenth century. Beginning in the early 1980s, he formulated a series of pioneering exhibitions in one of the first programs to integrate non-western culture with contemporary art. He has published a large number of books, articles and catalogues on these subjects and has curated many exhibitions. He has also written extensively about the present-day role and function of museums and contemporary art.”Vernissage Art TV
I think they are the most realistic characters I have done. I completely empathised with them. They could be me. That’s what was really scary, how easy it was to make myself look like that.
–Cindy Sherman