Art World pays tribute to Robert Hughes

“ROBERT Hughes, the famously opinionated and occasionally pugnacious art critic, has been remembered as a role model for others in his profession.

Hughes, who has died in New York at the age of 74, was a former art critic for Time magazine and the author of more than a dozen books, including his popular account of contemporary art, The Shock of the New.

Sebastian Smee, Pulitzer prize-winning art critic for The Boston Globe, said Hughes “combined incredible descriptive prowess with a sense of the wider currents of history”. The Australian


This slideshow requires JavaScript.

This is quite an extraordinary loss. I couldn’t begin to articulate the impact Hughes had on my understanding of the relationships between Art History, Art Criticism and the global machine in which the artist is but another cog. Hughes redefined for me what it is to be articulate and honestly observant whilst maintaining the ability to lay it out in simple language that could reach a wider audience than his highbrow contemporaries. With quintessential Australian dryness and wit Hughes cut through the garbage that’s become so common place in Art writing and commentary. I for one will certainly miss his keen, refreshing intellect and vision.

Art History / 30 Years of Art Journalism

For their 30th Anniversary, the German ‘Arts Magazine’ conceived a photographic exhibition that present Portraits of 70 artists from the last 30 years in an art journalism context and as an exhibition independent

Among the works selected are portraits of Robert Rauschenberg, Daniel Richter, Gilbert & George, Hanne Darboven, Jonathan Meese, Martin Kippenberger, Dash Snow and many other known and not so known artists. Among the photographers are Jürgen Frank, Det Kempke, Robert Lebeck. Robert Lebeck’s portrait of Fernando Botero was the cover of the first edition of ‘Art’ back in October 1979. The exhibition is currently on show at Art Cologne 2009 (until April 26, 2009).

In this video, Ute Thon and Editor in Chief Tim Sommer talk about the concept of the exhibition, how they selected the artists – and their favorite photos.