Yung Ho – Materialism

This is lengthy but very much worth sitting through.

“In the China of the recent thirty years, materialism swung from an ideology without a material basis to a pure act of material production and consumption without meanings, which makes today an interesting moment to reexam tangibility in architecture.

Originally from Beijing and educated both in China and in the US, Chang received Master of Architecture degree from the University of California at Berkeley in 1984. He has been practicing in China since 1992 and established Atelier Feichang Jianzhu (FCJZ) in 1993. He has won a number of prizes, such as First Place in the Shinkenchiku Residential Design Competition in 1987, a Progressive Architecture Citation Award in 1996, the 2000 UNESCO Prize for the Promotion of the Arts, and the Academy Award in Architecture from American Academy of Arts and Letters in 2006. He has published eight books and monographs so far, including one in English/French entitled Yung Ho Chang / Atelier Feichang Jianzhu: A Chinese Practice and one in Italian entitled Yung Ho Chang: Luce chiara, camera oscura. He participated in many international exhibitions of art and architecture, including five times in the Venice Biennale since 2000. He has taught at various architecture schools in the USA and China; he was a Professor and Founding Head of Graduate Center of Architecture at Peking University from 1999 to 2005; he held the Kenzo Tange Chair at Harvard in 2002 and the Eliel Saarinen Chair at Michigan in 2004. Since 2011, became a Pritzker Prize Jury member”. @ Vimeo

Ai Weiwei: Art / Architecture at Kunsthaus Bregenz

“The Kunsthaus in Bregenz / Austria explores the architectural work of Ai Weiwei with a solo show titled Art / Architecture. While not as widely presented as his artistic oeuvre, Ai Weiwei’s work in the field of architecture is extremely important for the artist because of the collaborative – that is social and political – aspect of it.

On three floors of architect Peter Zumthor’s Kunsthaus building, the exhibition focuses on Ai Weiwei’s collaborative architecture projects such as the Beijing National Stadium (known colloquially as the Bird’s Nest), developed in collaboration with the Pritzker price winning architects Herzog & de Meuron, but also numerous projects with lesser known architects.”@ Vernissage TV

 

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Bejing Design Week

“Since the debut in 2009, Beijing Design Week 北京国际设计周 has become an annual International celebration of design and creativity in China, a model set for local communities, and a cultural event for the World. The event is organized into several sections and areas.

The 751 D-Park Tank is one of the premier cultural and creative clusters in Beijing, blending its old industrial landscape with design, fashion and promoting International design exchanges. In exhibition there are works by Design Lobby, Yi Jian Zhai by Space Magazine, Unmade in China, Crystal Design Architects, Republic Space, Nike Flyknit Collective, as well as Dutch Design on the Move”. @ Vernissage Art TV

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Yung Ho Chang @ UCCA and Che Guevara @ Three Shadows, Beijing (China)

“In Beijing’s 798 Art Zone, Ullens Center for Contemporary Art (UCCA) presents ‘Yung Ho Chang + FCJZ: Material-ism’, the first retrospective of the pioneer of contemporary Chinese architecture. UCCA shows over 6 installations, 40 models and 270 drawings charting the cross-disciplinary work of Yung Ho Chang and his practice Feichang Jianzhu (FCJZ). Chang and FCJZ transform the UCCA Great Hall into six courtyard-like modules inspired by the ‘hutong’, the traditional Chinese neighbourhood network of narrow alleys between tile-roofed courtyard houses.” Vernissage TV

 

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@ Tate Modern | A Bigger Splash: Painting after Performance

“When painting’s enduring relevance is debated, performance art is often pitched as its polar opposite: one a venerable, hallowed tradition of object making, the other its provocative, ephemeral nemesis.

But Tate Modern’s new show explores a long history of interaction between them that has led to a fertile strand of contemporary art.

“Quite a lot of artists have a painting practice that only comes about because of an engagement with performance,” says Catherine Wood, the Tate’s curator of contemporary art and performance.”  Read the full article here

sourced @ The Art Newspaper

Painting meets performance: Helena Almeida’s Inhabited Painting, 1975