Leonardo in London

“Just as Leonardo’s Last Supper followed a Leitmotiv of triples (three windows; groups of apostles in threes) to honour the Trinity, so there should be three triumphs in connection with the remarkable exhibition of his work at the National Gallery in London: “Leonardo da Vinci: Painter at the Court of Milan”.

As it happens, the triumphs are unmistakable in two parts of the enterprise. The curator Luke Syson’s achievement in gathering together nine of Leonardo’s 15 surviving paintings is an astonishing feat. It seems extremely unlikely that such generosity among the scattered owners of these masterworks will be repeated in the foreseeable future”……..

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Reunited, sort of: the Louvre’s (left) and the National Gallery’s Virgins are installed on opposite ends of the fourth gallery, making it impossible to get more than the vaguest idea of how Leonardo changed his mind over the years.

Art on shifting sands

“The Guggenheim is certainly not cancelled,” the US ambassador, Michael Corbin, told me. “It’s just delayed due to cash flow problems and the Arab Spring”. This was at an exhibition of Middle Eastern artists hosted in the residence to show his general support for the role that art is playing in Abu Dhabi policy. There were more signs of official approval for the idea of art. A huge red ball is appearing in surprising places, such as the Zaha Hadid-designed bridge, and in shopping malls. This is an installation by Kurt Perschke to celebrate the 40th anniversary of the founding of the United Arab Emirates (UAE).”- The Art Newspaper

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Tony Shafrazi admires the Kids’ Zone

image courtesy of Art Newspaper