“Just as Leonardo’s Last Supper followed a Leitmotiv of triples (three windows; groups of apostles in threes) to honour the Trinity, so there should be three triumphs in connection with the remarkable exhibition of his work at the National Gallery in London: “Leonardo da Vinci: Painter at the Court of Milan”.
As it happens, the triumphs are unmistakable in two parts of the enterprise. The curator Luke Syson’s achievement in gathering together nine of Leonardo’s 15 surviving paintings is an astonishing feat. It seems extremely unlikely that such generosity among the scattered owners of these masterworks will be repeated in the foreseeable future”……..
Reunited, sort of: the Louvre’s (left) and the National Gallery’s Virgins are installed on opposite ends of the fourth gallery, making it impossible to get more than the vaguest idea of how Leonardo changed his mind over the years.