In the Neue Nationalgalerie Imi Knoebel (student of Joseph Beuys) enters in a dialog with the spectacular Upper Hall of Mies van der Rohe’s New National Gallery. On display are his famous “Raum 19″ (Room 19, 1968/2006), “Batterie” (Battery, 2005), and “Zu Hilfe, zu Hilfe, sonst bin ich verloren” (documenta 8, Kassel, 2987). With Potsdamer Strasse 50 (2009), Imi Knoebel uses the windows of the Mies van der Rohe’s pavilion as canvas and thus creates a translucent enclosure for the works. With Imi Knoebel the Neue Nationalgalerie starts a series of exhibitions that invites artists to create work that refers specifically to the Upper Pavilion.
Part of the commentary is in German.
Category:Conceptual Framework, Exhibitions, Practice